8th April 2015
Taramind Dewhurst, the immaculately groomed curator of The Onion Gallery, held the envelope in her grubby little hands. She had always had small hands, even as a child, they were delicate but had a firm grasp on her paperwork. She turned the envelope over and caressed her name and address, which felt raised, as if embossed.
Not printed then, she purred, knitting her brows into a double constrictor knot, which is unflattering on anyone of any age. Taramind was familiar with the craft of calligraphy and it was not a craft that she particularly cared for, she preferred the clean lines and balanced features of printed fonts, but she had to concede that this calligraphy had an awkward, yet modern charm. She hesitated before ripping the envelope open, as a lion would do before feasting on a caribou, and tried to guess the nature of the invitation, because surely this had to be an invitation?
She reached across her desk for her letter opener. Taking the antique bronze dagger from its sheath she made an opening incision, thus removing precisely 2mm from the top of the envelope. Within the envelope were two pieces of brown cardboard that were taped together to protect the inner content. With a concentration that caused her brows to knit once more, this time into a pair of socks, Taramind picked at the tape with her manicured nails. Two hours and one broken nail later, Taramind placed the contents on her blotter.
What sort of game is this? She wondered in italics. Why would anyone send her a photograph of a Pot Noodle? She turned the photograph over. There was a date, 21st November 2045, and an address for a village hall in a place called Mogwash….